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https://w.atwiki.jp/touhoukashi/pages/509.html
【登録タグ K いえろ～ぜぶら シンデレラケージ ～ Kagome-Kagome 曲 東方弦想歌～Color of Flower～ 紗菜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/cod4mod/pages/25.html
Doorways and windows Doorways = 56 units wide/96 units high For high traffic areas it is sometime best to make it a double door. Double door = 128 units wide/96 units high Window Height = 32 units from floor to the bottom of the window frame. Window Frame = minimum of 46 units wide 72 units high. (Inside diameter) Stairways Interior = 8 high / 10 deep 64 unit min. width Hallways Hallways = 128 units wide Walls Building wall/One story high = 128 units high Wall thickness = 8 units Columns = 32-48 units wide A 32 unit wide column is barely enough to still offer valid cover for the player. And after the column_cover node animations have been added 32-48 units will also provide valid cover and firing angles from both sides of the column for AI as well. ３２本の単位の広い列がほとんどまだプレーヤーに有効カバーを提供するのに十分ではありません。 そして column_cover ノードアニメーションが加えられた後、３２-４８のユニットが同様に同じくＡＩに列の両側からの有効カバーと点弧角を提供するでしょう。 Streets Large - Four car width = 512 units Small - Two Tank width = 320 units Alleyway – small street = 192 units wide Sidewalk Small = 128 units wide Medium = 192 units wide Large = 256 units wide (this is more for Singleplayer levels) Cover Standing cover height = 48 units high Crouching = 32 units Prone cover height = 16 units high Prone crawling height clearance = 32 units high Engagement ranges These would be the range at which a firefight takes place. These ranges make sure the player is shooting at a target that is a good size to hit and interact with. This will help keep the levels from getting too big and having pixel shooting distances. There is a model in the game called mw_scale_soldier. It has two rings around him, one at 512 and one at 1024. Based off of COD2’s weapons settings, 512 was a good distance to shoot an SMG at a target and 1024 was a good distance for a rifle. These can be adjusted if the new weapons get changed drastically. You can drop the model in your level to make sure your geo is not getting too big. これらは射撃戦が起きる適用範囲でしょう。 これらの適用範囲はプレーヤーがぶつかって、そしてそれと相互に作用するべき良い大きさであるターゲットに発砲していることを確認します。 これはレベルがあまりにも大きくなって、そしてピクセルシュート距離を持っていることを阻止するのに役立つでしょう。 mw_scale_soldier と呼ばれるゲームでモデルがいます。 それは１０２４で彼、５１２においての１つと１つの周りに２つのリングを持っています。 COD2 の武器設定値から基礎を置かれて、５１２はターゲットに SMG を撃つために良い距離でした、そして１０２４はライフル銃を求めて良い距離でした。 もし新しい武器が劇的に変えられるなら、これらは調整されることができます。 あなたはあなたのレベルであなたの geo があまりにも大きくなっていないことを確認するモデルを取り下げることができます。 (Original "http //www.infinityward.com/wiki/index.php?title=Gameplay_standards") 名前 すべて読む
https://w.atwiki.jp/negiccofan/pages/291.html
windandwindows／蓮沼執太 概要 発売日 2018/04/25 CD 6枚組 レーベル HEADZ 収録曲 DISC 1 01. windandwindows 02. the unseen 03. Between Here and There 04. = -instrumental "Miu Sakamoto" 05. My Philosophy with kotringo 06. Acoustic County 07. ALMA #30-#40 08. Tsuuka remix "Kukangendai feat. Hideo Furukawa" 09. Ruru Remix "Dudley Benson" 10. YES -instrumental "Tamaki Roy" 11. Acorn 12. Travelling Melodies J-WAVE Ending Theme 2016 13. Medetai -instrumental "Tamaki Roy" DISC 2 14. CHANCE 15. Birdcalls 16. Bakemono 17. Daily Life 18. Friends Zone 19. Cool Storage 20. Stroke -alternative 21. Smart Theory 22. Simply Fade 23. Mobile Stories 24. GGG with U-zhaan 25. RT -variation 26. It s six of one and half a dozen of the other 27. Walking on our promenade 28. Folk Songs 29. Drops 30. Handmade musical instrument Workshop in Osaki, Tokyo 31. Raccoon Demo 32. ZOU-NO-HANA TERRACE SONG 33. Ride 34. Many Stripes 35. No Gravity 36. Beauty and Y -instrumental 37. Furniture 38. Music for BROWNSALT 39. 351E60TH454 DISC 3 40. Music for TARO HORIUCHI 2013 S/S 41. Music for RMK x TARO HORIUCHI Autumn Winter 2017 42. Music for TARO HORIUCHI 2015 S/S -scene B 43. Music for TARO HORIUCHI 2015 S/S -scene C 44. Music for an Echo 45. Music for JUDAS, CHRIST WITH SOY -scene solo 46. Music for JUDAS, CHRIST WITH SOY -after silence 47. Music for Strange Tales of Love and Strangers -scene 5 48. Music for MAKU 49. Music for Crossing Over 50. Music for Conditions in 2014 51. Music for THREE WORLD -scene 6 52. Music for AIR -Main Theme 53. Music for No BGM 54. Music for NSK TAISO -instrumental 55. G_P_N -demo 56. 5th Aichi DISC 4 57. Communal Music 58. Freezing Point 59. 15 Minutes Eternal 60. HT 61. Keihan 62. windandwindows -Mohri Garden 63. Orusuban -instrumental "Akai Ko-en" 64. Music for th 01 DISC 5 65. Waving Flags -instrumental "Miu Sakamoto" 66. requiem -instrumental "Tamaki Roy" 67. For 3 minutes 68. Music for Yasai no Hi -version1 with Takako Minekawa 69. Music for Yasai no Hi -version2 with Takako Minekawa 70. Music for Yasai no Hi -version3 with Takako Minekawa 71. Music for Yasai no Hi -version4 with Takako Minekawa 72. Music for Yasai no Hi -version5 with Takako Minekawa 73. Music for Yasai no Hi -version6 with Takako Minekawa 74. jiyu-ni -instrumental "Negicco" 75. Music for JUDAS, CHRIST WITH SOY -scene Transition to Stairs 76. Music for AIR -scene drive 77. Disappearance 78. Music for BACON ICE CREAM 79. 5windows eb DISC 6 80. Music for SHISEIDO THE STORE ニュース記事 蓮沼執太、6枚組ニューアルバム「windandwindows」収録全80タイトル発表 - ナタリー
https://w.atwiki.jp/touhoukashi/pages/4024.html
【登録タグ TUMENECO yukina ゆ 向こう側の月 曲 空色デイドリーム】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/metalmetabo/pages/32.html
- visitors Development of network-based pathway definitions the need to analyze real metabolic networks nhahocotton.org.vn [PDF]BO Palsson, ND Price, JA Papin - Update, 2003 - nhahocotton.org.vn http //scholar.google.com/scholar?q=related RJrIZTi52eQJ scholar.google.com/ hl=ja as_sdt=2000 ... A recent article [1] addresses the important issue of network-based metabolic pathway analysis. ... References 1 Klamt, S. and Stelling, J. (2003) Two approaches for metabolic pathway analysis? Trends Biotechnol. 21, 64–69 2 Karp, PD et al. ... PathFinder reconstruction and dynamic visualization of metabolic pathways oxfordjournals.org [PDF]A Goesmann, M Haubrock, F Meyer, J … - …, 2002 - Oxford Univ Press http //scholar.google.com/scholar?q=related tN609hXVn9QJ scholar.google.com/ hl=ja as_sdt=2000 ... database. Nucleic Acids Res., 26, 43–45. Tohsato,Y., Matsuda,H. and Hashimoto,A.(2000) A multiple align- ment algorithm for metabolic pathway analysis using enzyme hierarchy. Proceedings, ISMB 2000. pp. 376–383. Wackett ... Toward metabolic phenomics analysis of genomic data using flux balances dss.go.th [PDF]CH Schilling, JS Edwards, BO … - Biotechnology progress, 1999 - Wiley Online Library http //scholar.google.com/scholar?q=related 5xFNmiGLuFoJ scholar.google.com/ hl=ja as_sdt=2000 ... This approach of metabolic pathway analysis accompanied with FBA techniques can allow one to assess the basic structural capabilities and fitness of an organism as a result of the pathways that are theoretically present within the cell. ... Robustness Analysis of the Escherichiacoli Metabolic Network dss.go.th [PDF]JS Edwards, BO Palsson - Biotechnology Progress, 2000 - interscience.wiley.com http //scholar.google.com/scholar?q=related F73ImcZpznMJ scholar.google.com/ hl=ja as_sdt=2000 Page 1. Robustness Analysis of the Escherichia coli Metabolic Network Jeremy S.Edwards† and Bernhard O. Palsson* Department of Bioengineering, University of California-San Diego, La Jolla, California 92093-0412 Genomic ... FluxAnalyzer exploring structure, pathways, and flux distributions in metabolic networks on interactive flux maps oxfordjournals.org [PDF]S Klamt, J Stelling, M Ginkel, ED Gilles - Bioinformatics, 2003 - Oxford Univ Press http //scholar.google.com/scholar?q=related vOydM3d06iMJ scholar.google.com/ hl=ja as_sdt=2000 ... additionally reversibility and capacity restrictions for each reaction. Metabolic Pathway Analysis (MPA) searches for meaningful structural and functional units in metabolic networks. The two most promising, very similar ap- proaches ... Integrating cybernetic modeling with pathway analysis provides a dynamic, systems-level description of metabolic control JD Young, KL Henne, JA Morgan, AE … - Biotechnology and …, 2008 - interscience.wiley.com http //scholar.google.com/scholar?q=related SiQjLbrsCw4J scholar.google.com/ hl=ja as_sdt=2000 ... biochemical networks. Combining cybernetic control laws with concepts from metabolic pathway analysis has culminated in a sys- tematic strategy for constructing cybernetic models, which was previously lacking. The newly ... Exploring the pathway structure of metabolism decomposition into subnetworks and application to Mycoplasma pneumoniae oxfordjournals.org [PDF]S Schuster, T Pfeiffer, F Moldenhauer, I Koch, T … - …, 2002 - Oxford Univ Press http //scholar.google.com/scholar?q=related o1Qpi78HxmoJ scholar.google.com/ hl=ja as_sdt=2000 Page 1. BIOINFORMATICS Vol. 18 no. 2 2002 Pages 351–361 Exploring the pathway structure of metabolism decomposition into subnetworks and application to Mycoplasma pneumoniae S. Schuster 1 , T. Pfeiffer 2 , F. Moldenhauer 1 , I. Koch 3 and T. Dandekar 4, 5 ... The complete genome sequence of the gastric pathogen Helicobacter pylori JF Tomb, O White, AR Kerlavage, RA Clayton, GG … - Nature, 1997 - nature.com http //scholar.google.com/scholar?q=related Eo36dy8hFLcJ scholar.google.com/ hl=ja as_sdt=2000 ... Top of page Metabolism. Metabolic pathway analysis of the H. pylori genome suggests the following features. H. pylori uses glucose as the only source of carbohydrate and the main source for substrate-level phosphorylation. ... Deriving phylogenetic trees from the similarity analysis of metabolic pathways oxfordjournals.org [PDF]M Heymans, AK Singh - Bioinformatics, 2003 - Oxford Univ Press http //scholar.google.com/scholar?q=related Y2vvexN5fz8J scholar.google.com/ hl=ja as_sdt=2000 Page 1. BIOINFORMATICS Vol. 19 Suppl. 1 2003, pages i138–i146 DOI 10.1093/bioinformatics/btg1018 Deriving phylogenetic trees from the similarity analysis of metabolic pathways Maureen Heymans and Ambuj K. Singh ∗ ... Treatment of multifunctional enzymes in metabolic pathway analysis S Schuster, I Zevedei-Oancea - Biophysical chemistry, 2002 - Elsevier http //scholar.google.com/scholar?q=related G_O7SiZhvKsJ scholar.google.com/ hl=ja as_sdt=2000 In metabolic pathway analysis, it should be considered that many enzymes operate with low specificity (eg nucleoside diphosphokinase, uridine kinase, transketolase, aldolase), so that various substrates and products can be converted. Here, we analyze the effect of ...
https://w.atwiki.jp/metalmetabo/pages/25.html
- visitors Metabolic pathway analysis basic concepts and scientific applications in the post-genomic erapsu.edu [PDF] CH Schilling, S Schuster, BO Palsson, … - Biotechnology …, 1999 - interscience.wiley.com http //scholar.google.com/scholar?q=related JkHo1UMnlWkJ scholar.google.com/ hl=ja as_sdt=2000 This article reviews the relatively short history of metabolic pathway analysis. Computer-aided algorithms for the synthesis of metabolic pathways are discussed. Important algebraic concepts used in pathway analysis, such as null space and convex cone, are explained. It is ... Metabolic pathway analysisS Schuster - Information and Simulation Systems for the Analysis of … - Citeseer http //citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.94.4013 rep=rep1 type=pdf#page=18 18 Metabolic pathway analysis Stefan Schuster Max Delbruck Centre for Molecular Medicine D-13092 Berlin-Buch, Germany Metabolic network analysis, alternatively called pathway analysis, has manifold applications in functional genomics, metabolic engineering and ... Two approaches for metabolic pathway analysis? tkk.fi [PDF]S Klamt, J Stelling - TRENDS in Biotechnology, 2003 - Elsevier http //scholar.google.com/scholar?q=related Zqc2nsalEsAJ scholar.google.com/ hl=ja as_sdt=2000 Metabolic pathway analysis is becoming increasingly important for assessing inherent network properties in (reconstructed) biochemical reaction networks. Of the two most promising concepts for pathway analysis, one relies on elementary flux modes and the other on extreme ... Theory for the systemic definition of metabolic pathways and their use in interpreting metabolic function from a pathway-oriented perspective CH Schilling, D Letscher, BØ PALSSON - Journal of Theoretical Biology, 2000 - Elsevier http //scholar.google.com/scholar?q=related 5zrGtYrEQUQJ scholar.google.com/ hl=ja as_sdt=2000 ... 4193–4198. Full Text via CrossRef | View Record in Scopus | Cited By in Scopus (78). 25. CH SCHILLING, S. SCHUSTER, BO PALSSON and R. HEINRICH, Metabolic pathway analysis basic concepts and scientific applications in the post-genomic era. Biotechnol. Prog. ... A multiple alignment algorithm for metabolic pathway analysis using enzyme hierarchy Y Tohsato, H Matsuda, A Hashimoto - Proceedings of the 8th International …, 2000 - aaai.org http //scholar.google.com/scholar?q=related Gyor1EbInm8J scholar.google.com/ hl=ja as_sdt=2000 In many of the chemical reactions in living cells, enzymes act as catalysts in the conversion of certain compounds (substrates) into other compounds (products). Comparative analyses of the metabolic pathways formed by such reactions give important information on their ... Metabolic pathway analysis of a recombinant yeast for rational strain development brookes.ac.uk [PDF]R Carlson, D Fell, F Srienc - Biotechnology and …, 2002 - interscience.wiley.com http //scholar.google.com/scholar?q=related oWtlgoIqVyQJ scholar.google.com/ hl=ja as_sdt=2000 Abstract Elementary mode analysis has been used to study a metabolic pathway model of a recombinant Saccharomyces cerevisiae system that was genetically engineered to produce the bacterial storage compound poly-b-hydroxybutyrate (PHB). The model includes bio- ... Metabolic pathway analysis web service (Pathway Hunter Tool at CUBIC) oxfordjournals.org [HTML]SA Rahman, P Advani, R Schunk, R Schrader, D … - …, 2005 - Oxford Univ Press http //scholar.google.com/scholar?q=related MgbBoNOqvX8J scholar.google.com/ hl=ja as_sdt=2000 Motivation Pathway Hunter Tool (PHT), is a fast, robust and user-friendly tool to analyse the shortest paths in metabolic pathways. The user can perform shortest path analysis for one or more organisms or can build virtual organisms (networks) using enzymes. Using PHT, the ... Combined use of proteomic analysis and enzyme activity assays for metabolic pathway analysis of glycerol fermentation by Klebsiella pneumoniae tu-harburg.de [PDF]W Wang, J Sun, M Hartlep, WD … - Biotechnology and …, 2003 - interscience.wiley.com http //scholar.google.com/scholar?q=related OKsyM7nYUH0J scholar.google.com/ hl=ja as_sdt=2000 Abstract The fed-batch fermentation of glycerol to 1,3- propanediol by Klebsiella pneumoniae displayed an un- usual dynamic behavior that can be clearly divided into four distinct phases according to cell growth and CO2 evolution rate. Metabolism changed significantly during ... Combinatorial complexity of pathway analysis in metabolic networks u-bordeaux2.fr [PDF]S Klamt, J Stelling - Molecular Biology Reports, 2002 - Springer http //scholar.google.com/scholar?q=related kLqNimyG924J scholar.google.com/ hl=ja as_sdt=2000 Key words combinatorial complexity in metabolic networks, elementary flux modes, metabolic pathway analysis, structural network analysis Summary Elementary flux mode analysis is a promising approach for a pathway ... Comparison of network-based pathway analysis methods cell.com [HTML]JA Papin, J Stelling, ND Price, S Klamt, S … - TRENDS in …, 2004 - Elsevier http //scholar.google.com/scholar?q=related BYENm_cYtdQJ scholar.google.com/ hl=ja as_sdt=2000 ... Recent network-based metabolic pathway analysis has focused on two approaches, those of elementary modes [4] and extreme pathways [5]. Both of these methods use convex analysis [6], a branch of mathematics that enables the analysis of inequalities and systems of linear ...
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http //www.cultura.gov.br/dialogosculturais/ http //72.14.235.132/search?q=cache C8_umaFAJv0J www.brasemb.or.jp/top_topics/stepbystep.pdf+Lei+Rouanet hl=ja ct=clnk cd=18 gl=jp lr=lang_ja client=firefox-a http //blogs.cultura.gov.br/reformadaleirouanet/ http //www.nanpou.net/index.php?codNot=940 http //br.noticias.yahoo.com/s/21112008/25/entretenimento-ministerio-da-cultura-lanca-blog.html 行政と企業は文化支援で何ができるか 芸術が人間にとって大切なんだ 本当の意味で文化を発展させるのは底辺のところを高くすることではないかと思います 高い山を築くには麓が広くないと築けないというのは当然のことで、そこに支援できることがこれから望まれてくるんではないか。そういうことに企業も行政も目を向けていかないと本当の意味で文化の振興、発展に結び付かないんじゃないか、企業が考えているクリエイティブな人材づくりというような事とも離れてしまうのではないかと思います 企業側がメセナを担当する人の人材育成をどうするか 基盤整備 欧米では失業者対策として文化支援という事がいわれるぐらいですが、国の政策として文化を考えるところから始まって、具体的には学校のシステムはどうなのか。 とにかく国にしても自治体にしても企業にしても支援する量が少ないから所詮分ける量も少ない。多い量にならないと駄目でそのためにはきちんと文化政策がないといけないわけです。 良い芸術を理解するには良い享受者いないと駄目だ。そのためには地域に享受能力を育てていくことが大事だ。この点が一番抜けている。享受能力なんていうのは大人になってからあわてても育たない。子供の時代から芸術を理解する教育と環境が伴わないと駄目なわけです。 日本の税制度が宣伝費とは別枠で損金勘定を認めないという、問題もある。 ある文化国家としての在り方 ビジョンをきちんと作って、そのためにはどれくらいのお金が掛かるのか、国全体としてはどういうことができるのか。自治体としてはどういう事ができるのか。地域としてはどういったことができるのか。そのようなことを１つ１つ細かく出していって、総額としてどれくらいのものなのか。何兆円と掛かるのかという事を経済的にもですね、シュミレーションをやってみて、国はその中でどういう役割をするのか。自治体はそういう役割をするのか。企業はどういう役割をしてどういう風に分担するのか。そのためにはどういう税制が必要なのか。どういう法律が必要なのか。いわゆる総合ビジョンを一度整理してみる必要がある。その事が全然されてなくて、各論だけが論じられても堂々巡りするだけだと思うのです。 文化行政を考えたときに文化税制をどうするか 文化活動は単なる繰り返しではない。常に前例のない創造活動であるのだから。 文化をつくる 文化戦略、文化政策、文化行政 ヒューマンネットワーク 企業と自治体と市民の３つのセクター 自治体は芸術・文化の振興が目的というよりも、地域活性化のためというお題目がないということがあり、地域活性化を目的に文化を手段にという考え方があります。 創造への支援 http //www.estadao.com.br/estadaodehoje/20090307/not_imp334826,0.php http //oglobo.globo.com/cultura/mat/2009/03/06/premio-de-musica-sera-realizado-mesmo-sem-tim-754729305.asp http //www.culturaemercado.com.br/post/minc-promete-revisao-no-texto-da-lei-complementar/ http //br.noticias.yahoo.com/s/10032009/48/entretenimento-novas-mulhers-rock.html El historiador es un profeta invertido Friedrich Schlegel http //es.wikipedia.org/wiki/Friedrich_Schlegel 理論として ①文化政策学、文化経済学 理論、ブラジルの文化振興法の傾向と、ルーツ ②メセナの歴史、各国のメセナ事情 ブラジルとの比較 ③ブラジルの文化政策の中でのLei Rouanet ブラジルの文化政策を徹底して掘り下げる コンセンサスはどこから？ これからの方向性 ■キーワード 文化政策学 文化という課題 岩波書店 文化の政治学 ミシェル・ド・セルト ◎文化政策学―法・経済・マネジメント (有斐閣コンパクト) 後藤 和子 本 文化経済学 ◎文化経済学 (有斐閣ブックス) 池上 惇, 福原 義春, 植木 浩 本 ◎観光人類学 山下 晋司 本 文化権 文化振興法 文化権の確立に向けて―文化振興法の国際比較と日本の現実 小林 真理 本 国家主導型 地方分権型 市民社会型 アートマネージメント 金と芸術 なぜアーティストは貧乏なのか ハンス アビング, 山本和弘 本 （ 筆者はアーティストと経済学者という二束のわらじを履いているオランダ人。 ヨーロッパの文化政策の現状を中心に、「なぜ政府は芸術を支援するのか」を ブルデューの文化資本論を援用したり、スロスビーの文化経済学に挑戦したりしながら 経済学者としての立場とアーティストとしての立場から語っています。） 市民社会 資本主義から市民主義へ 岩井 克人, 三浦 雅士 本 ペルーにおける制度化 http //periodicos.pucminas.br/index.php/economiaegestao/article/viewArticle/463 他国との対比 日本、アメリカ、ペルー、メキシコ、アルゼンチン、フランス ◯超大国アメリカの文化力（フレデリック・マルテル） ◯パブリックアート政策（工藤安代） 文化権の確立に向けて―文化振興法の国際比較と日本の現実 小林 真理 本 文化政策の法的基盤―文化芸術振興基本法と文化振興条例 根木 昭 本 ■本 市民活動論〜持続可能で創造的な社会に向けて（後藤和子、福原義春） 文化経済学入門〜創造性の探求から都市再生まで（David Throsbyデイヴィッド・スロスビー 訳：中谷武雄、後藤和子） 手元にある本に・ これから来る本に◎ 図書館にある本に◯ 文化権の確立に向けて―文化振興法の国際比較と日本の現実 小林 真理 本 ラテンアメリカの歴史、人類学 異種混淆の近代と人類学―ラテンアメリカのコンタクト・ゾーンから (叢書・文化研究) 古谷 嘉章 本 ◎ラテンアメリカ 政治と社会 (ラテンアメリカ・シリーズ) 松下 洋, 乗 浩子 本 ◎Seeing Like a State How Certain Schemes to Improve the Human Condition have Failed (Paper) (Yale Agrarian Studies) J C Scott 洋書 ◎概説ラテンアメリカ史 国本 伊代 本 ■Lei Rouanet Por que as empresas investem em projetos culturais? Evidências de uma cidade mineira http //periodicos.pucminas.br/index.php/economiaegestao/article/viewArticle/463 A Revolucão Cultural Brasileira MARKETING CULTURAL http //scholar.google.co.jp/scholar?q=lei+rouanet hl=ja lr= as_ylo=2008 as_yhi=2009 start=10 sa=N http //books.google.co.jp/books?id=fsmoM0Ba5pMC dq=Cultural+Politics+in+Latin+America printsec=frontcover source=bl ots=mxmagK7LX2 sig=B3RU71F_AmpxxTT1WZm10F55Xa0 hl=ja ei=geBASqupJNOXkQXNyfyACQ sa=X oi=book_result ct=result resnum=7 http //scholar.google.com/scholar?hl=ja lr= q=brazil+culture+lei+rouanet btnG=%E6%A4%9C%E7%B4%A2 lr= http //scholar.google.com/scholar?hl=ja lr= q=lei+rouanet btnG=%E6%A4%9C%E7%B4%A2 lr= http //scholar.google.co.jp/schhp?hl=ja lr= IPC ワールド http //www.ipcdigital.com/es http //www.ipcdigital.com/br エル・パイス http //www.elpais.es/index.html エル・アベセ http //www.abc.es/ エル・ムンド http //www.elmundo.es/ http //repository.dl.itc.u-tokyo.ac.jp/dspace/handle/2261/7420 文化権の確立に向けて—文化振興法の国際比較と日本の現実 (単行本) 小林 真理 (著) http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn txt_docid=NCID BA11950129 http //www.amazon.com/wishlist/224WJM6F3KMI/ref=reg_hu-wl_goto-registry?_encoding=UTF8 sort=date-added Cultural policy / Toby Miller and George Yudice 文化政策 トビー・ミラー＆ジョージ・ジュディセ著 トビー・ミラーはカリフォルニア大学の教授でメディア学とカルチュアル・スタディーを教えている。 著作は多数だが、文化政策に関係がありそうな他の著作は Critical Cultural Policy Studies A Reader (Blackwell, 2003 – co-ed J Lewis) International Cultural Studies An Anthology (Blackwell, in press – sec ed, co-ed A Abbas, J Erni) Cultural Citizenship How Conservatives and Neoliberals Captured the Cultural Politics of Television and How We Can Take it Back (Temple University Press, in press) ジョージ・ジュディセはニューヨーク大学で、ラテンアメリカ文学・文化を研究している。 代表的著作は The Expediency of Culture The Uses of Culture in the Global Era. (Duke University Press, 2003) ＊① El recurso de la cultura (Barcelona Gedisa, 2002) Cultural Policy, co-authored with Toby Miller (Sage Publications, 2002). Cultura y valor A partir de la postmodernidad.(Forthcoming) On Edge The Crisis of Contemporary Latin American Culture, (University of Minnesota Press. 1992) Vicente Huidobro y la motivación del lenguaje, (Buenos Aires Editorial Galerna, 1978) 彼の著作では次は＊①を読みたいと思い、amazon.comに注文した。 本書は、カルチュアル・スタディーの分野の研究者である２人が、世界の文化政策について取り上げている。扱っている範囲が広く、20世紀の文化政策全般について知ることができる。特に、ラテンアメリカの専門家であるジョージ・ジュディセが参加しており、ラテンアメリカ諸国に関する記述も多いのが、私にはありがたい。修士論文の土台として、本書や「The Expediency of Culture」などで、ジョージ・ジュディセの文化政策に対する論考をまず踏まえたいと思っている。 イントロ 文化政策の歴史と理論 文化政策の歴史を概説する。多くの思想家の考え方が引用されている。 第1章 アメリカ、文化政策、国家の芸術に対する寄付 1965年に設立されたthe National Endowment fot the Arts(NEA)の活動を軸に、アメリカの文化政策の歴史を追っていく。ラテンアメリカと、アメリカ合衆国の政治的文化的な関わりについての言及も多い。 第2章 文化産業＿＿市民、消費、労働 先進国と第三世界の視聴覚産業を取り上げる。 マイアミ、オーストラリア、イギリス、ラテンアメリカ諸国。 第3章 支配的文化と植民地時代以降 社会主義やファシズムの国での文化政策と、ラテンアメリカの軍政での文化政策、世界各地の植民地からの独立後の文化政策を取り上げている。 第4章 美術館 世界各国の美術館の歴史で議論になってきたことを取り上げる。 第5章 国を超えた文化政策 グローバルな枠組みで文化政策を論じている。 結論 感想 一貫して興味深い話が続いたけれど、知識がついていってなくてまだぜんぜん読みきれていない。 「グローバル」な方向に向かっていって、結論を迎えるのは、いかにも00年代前半に出版されている感じがするし、ジョージ・ジュディセのその後の本は、それをもっと深めているようだが、ラテンアメリカの文化政策研究の先駆者として、彼の論考は一通り頭に入れたいと思っている。後、10回は読まないと、頭にのこらなそうだ。 ●DEM(domestic effects model)とGEM(global effects model) 図書書誌情報 タイトルAs razões do iluminismo / Sérgio Paulo Rouanet 出版São Paulo Companhia das Letras , [1987] 形態349 p. ; 21 cm 注記Description based on 1a̲ edição, 8a̲ reimpressão 注記"Ministério da Educação, FNDE, PNBE 2003"--Cover 著者標目Rouanet, Sérgio Paulo 分類LCC B1041 件名LCSH Brazil -- Intellectual life//F 件名LCSH Philosophy, Modern -- 20th century//K 件名LCSH Enlightenment -- Brazil//K 件名LCSH Irrationalism (Philosophy)//K 件名LCSH Reason//K タイトル言語porテキスト言語por NCIDBA86374391 タイトルIndagações de hoje / Ferreira Gullar 出版Rio de Janeiro José Olympio , 1989 形態vii, 187 p. ; 21 cm 注記Collection of published and unpublished articles 著者標目Gullar, Ferreira, 1930- 0000000000 分類LCC F2510 件名LCSH Brazil -- Civilization//F タイトル言語porテキスト言語 NCIDBA90510620 タイトルCultural agency in the Americas / Doris Sommer, editor 出版Durham Duke University Press , 2006 形態385 p. ill. ; 24 cm 注記Includes bibliographical references (p. 341-369) and index 内容著作Introduction Wiggle room / Doris Sommer 内容著作Intervening from and through research practice meditations on the Cuzco workshop / Jesús Martín Barbero 内容著作Between technology and culture communication and modernity in Latin America / Jesús Martín Barbero 内容著作DNA of performance / Diana Taylor 内容著作A city that improvises its globalization / Néstor García Canclini 内容著作The cultural agency of wounded bodies politic ethnicity and gender as prosthetic support in postwar Guatemala / Diane M. Nelson 内容著作Tradition, transnationalism, and gender in the Afro-Brazilian Candomblé / J. Lorand Matory 内容著作The discourses of diversity language, ethnicity, and interculturality in Latin America / Juan Carlos Godenzzi 内容著作Conspiracy on the sidelines how the Maya won the war / Arturo Arias 内容著作Radio Taino and the Cuban quest for identi...qué? / Ariana Hernández-Reguant 内容著作Olodum s transcultural spaces community and difference in Afro-Brazilian contemporary performance / Denise Corte 内容著作Political construction and cultural instrumentalities of indigenism in Brazil, with echoes from Latin America / Alcida Rita Ramos 内容著作Questioning state geographies of inclusion in Argentina the cultural politics of organizations with Mapuche leadership and philosophy / Claudia Briones 内容著作Cultural agency and political struggle in the era of the indio permitido / Charles R. Hale and Rosamel Millamán 内容著作The crossroads of faith heroism and melancholia in the Columbian "violentologists" (1980-2000) / Santiago Villaveces-Izquierdo 内容著作Afterword a fax, two moles, a consul, and a judge / Mary Louise Pratt 内容著作Afterword spread it around! / Claudio Lomnitz 著者標目Sommer, Doris, 1947- 分類LCC F1408.3 分類DC22 306/.098 件名LCSH Arts and society -- Latin America//K 件名LCSH Art and state -- Latin America//K 件名LCSH Social change -- Latin America//K 件名LCSH Globalization -- Social aspects -- Latin America//K 件名LCSH Latin America -- Cultural policy//F タイトル言語engテキスト言語eng NCID100001757633 タイトルArtes plásticas / Carlos Zílio. Literatura / João Luiz Lafetá, Lígia Chiappini Moraes Leite 出版São Paulo, Brasil Brasiliense , 1982 形態267 p. ; 21 cm 注記Includes bibliographical references シリーズO Nacional e o popular na cultura brasileira BA10434689 //a 著者標目Zílio, Carlos DA0474508X 著者標目Lafetá, João Luiz DA04854711 分類LCC PQ9554 分類DC19 869 件名LCSH Brazilian literature -- 20th century -- History and criticism//K 件名LCSH Gullar, Ferreira, 1930- -- Criticism and interpretation//A 件名LCSH Callado, Antônio -- Criticism and interpretation//A 件名LCSH Modernism (Art) -- Brazil//K タイトル言語porテキスト言語por NCIDBA11176942 ここまで上智 ここから立教 José Murilo de CarvalhoOs Bestializados(Companhia das Letras, 2004年)262/C 24 Historia geral da civilização brasileiraTOMO I.A época colonial 1.Do descobrimento à expansão territorial 1(Editora Bertrand Brasil Ltda.262/H 76/1(1) Historia geral da civilização brasileiraTOMO I. A época colonial 2. Administração, economia, sociedade 2(Editora Bertrand Brasil Ltda.,1997)262/H 76/1(2) Historia geral da civilização brasileiraTOMO II. O Brasil monarquico 2. Despersão e unidade 3(Editora Bertrand Brasil Ltda.,1997)262/H 76/2(2) Historia geral da civilização brasileiraTOMO II. O brasil monárquico 3. Reações e transações 4(Editora Bertrand Brasil Ltda.,1997)262/H 76/2(3) Historia geral da civilização brasileiraTOMO II. O Brasil monárquico 4. Declínio e queda do império 5 (Editora Bertrand Brasil Ltda.,1997)262/H 76/2(4) Historia geral da civilização brasileiraTOMO II. O Brasil monárquico 5. Do império a república 6(Editora Bertrand Brasil Ltda.,1997)262/H 76/2(5) Historia geral da civilização brasileiraTOMO III. O Brasil republicano 1. Estrutura de poder e economia (1889-1930) 8 (Editora Bertrand Brasil Ltda.,1997)262/H 76/3(1) Historia geral da civilização brasileiraTOMO III. O brasil republicano 2. Sociedade e instituições (1889-1930) 9 (Editora Bertrand Brasil Ltda.,1997)262/H 76/3(2) Historia geral da civilização brasileiraTOMO III. O brasil republicano 3. Sociedade e política(1930~1964) 10 (Editora Bertrand Brasil Ltda.,1997)262/H 76/3(3) Historia geral da civilização brasileiraTOMO III. O brasil republicano 4. Economia e cultura(1930~1964) 11 (Editora Bertrand Brasil Ltda.,1997)262/H 76/3(3) Sérgio Buarque de HolandaRaízes do Brasil(Companhia das Letras, 2004年)302.62/H 83 Sérgio Paulo RouanetAs Razõnes do iluminismo(Companhia das Letras, 2004年)130.4/R 75 Caio Prado JúniorFormação do brasil contemporane(editora brasiliense, 2004年)262/P 88 Caio Prado JúniorHistoria economica do Brasil(Editora Brasiliense S.A, 2004年)362.62/P 88 ●修論 Cultural Policy 〜 latin america Tropical Multiculturalism Art Worlds Journal of Arts Management, Law, and Society http //www.encyclopedia.com/Journal+of+Arts+Management,+Law+and+Society/publications.aspx?pageNumber=1 Journal of Cultural Economics http //www.springerlink.com/content/0885-2545 International journal of Cultural Policy 短くても何でもいいから、一日一文、ポルトガル語とスペイン語を翻訳すること！ ■↓Cultural Goods Are Good for More than Their Economic Value _by ARJO KLAMER Arjo Klamer is professor of the Economics of Art and Culture at Erasmus University in Rotterdam, The Netherlands, and holds the world s only chair in the field of cultural economics. Prior to that and after acquiring his PhD at Duke University, he taught for many years at several universities in the US, including Wellesley College and George Washington University. In 1984, he attracted a great deal of attention with his Conversations with Economists. In his latest book, Speaking of Economics (Routledge, 2007), he pursues themes that emerged from that book. He has collaborated with Deirdre McCloskey to promote the rhetorical perspective on economics. The Economic Conversation, a textbook forthcoming in 2008 (Palgrave)and co-authored with McCloskey and Stephen Ziliak employs a groundbreaking "open-method" approach to teaching first-year micro- and macroeconomics. His current research focuses on the cultural dimension of economic life and the values of art. He is member of the board of various cultural organisations and chairman of the board of trustees of "Het grafisch lyceum" te Rotterdam. He is actively involved in public debates in the Netherlands and is founding director of a new university, Academia Vitae in Deventer. （http //www.klamer.nl/） ◆まずはじめに、 文化財とは何か 文化財は大切なのか？ ２つのCulture（p139下） culture as expression culture as identity ◆文化学者vs経済学者 その1 アフガンニスタンでの仏像破壊 ◆価値を評価するのに、 文化だけでもだめだし、経済だけでもだめ 文化経済学の視点の紹介 特に、David Throsby ◆複数の価値がある The capacity to deal with social values and adhere to social norms is nowadays called social capital.(p149下) In the case of cultural goods, satisfaction comes more from their social rather than economic meaning.(p150中段) Yet,what permits us to call a good "cultural" is cultural value , that is , the good s evocation of things cultural.(p150中段) In my definition, cultural capital is the ability to deal with cultural values without regard to possible economic returns.(p151下) Cultural goods are the carriers of important social and cultural values.(p160中) ◆価値はどう再定されていくか その２ ガーナにおける下着販売 その３ アフリカにおける外部の価値評価の導入による変化 まとめ 筆者は最終的に、世界銀行のやりかたに賛同している。 筆者が文化的経済的な価値を判断するのに留意していること The analysis I propose attempts to contribute to these efforts by calling attention to ①the inportance of cultural goods for people in all stages of development ②the process of valorization ③the various ways by which the values of a cultural good may be realized ④the kowledge that governments and international organizations are limites in their power to genirate the values that are really important to people ↑ http //webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA52455164 The economics of art and culture http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA49711277 Economics and Culture by C. D. Throsby Beyond price value in culture, economics, and the arts http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA84232159 Oxford anthology of the Brazilian short story http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA88600130 The American intellectual tradition http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA83154016 Crônicas brasileiras a Portuguese reader http //webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA48064469 企業の情報ならここ http //portalexame.abril.com.br/ http //mm.portalexame.abril.com.br/ O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. http //www.cultura.gov.br/site/wp-content/uploads/2009/02/empresas-incentivadoras-e-respectivos-valores-incentivados-em-2008.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/incentivadores-por-ano-e-tipo-de-pessoa.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-projetos-com-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Últimos comentários 13 comentários para "Estatísticas" RSS dos comentários 20 de novembro de 2009 às 16 55WILLIAM MORAES CORREA (OS FOLIOES- SAO LUIS- MA) Incentivar projetos que não consumam grandes valores é fundamental para o crecimento cultural de nosso país. Existem projetos maravilhosos que eriam realziados (e muito bem) com poucos recursos. A legislação precisa beneficiar iniciativas assim. 20 de novembro de 2009 às 10 43claudio ferreira a cultura ele tem qua ser mais aprofundada e mito importante o trabalho que as instituiçao,as ong e etc faz alem de leva o onhecimento o trabalho de pesquisa lavar tambem a etica familia eo respeito ao prossimo penser nisso vcs ai 08 de setembro de 2009 às 20 05Bruno Resende Ramos Que a Lei Rouanet continue para que pequenos projetos de cunho sócio-cultural alcancem melhores tempos. Aos contemplados e as empresas que oportunizam essa resposta social os nossos agradecimentos. 02 de setembro de 2009 às 11 44André Luiz Salvalaggio Olá, gostaria de saber quando abrirá um novo edital para a lei Rouanet? Obrigado. RESPOSTA, por Contate@Cultura Não há editais para a Lei Rouanet. O MinC recebe propostas durante todo o ano. Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. Mais informações, Siconv 0800-9782340. SalicWeb informe.sefic@cultura.gov.br 26 de junho de 2009 às 14 54Wedson Simões Dúvida Qualquer pessoa pode se cadastrar no SALICWEB ou deve ser o proponente do projeto? RESPOSTA, por Contate@Cultura Não há porque se cadastrar se não for apresentar um projeto. 14 de junho de 2009 às 18 30Alexandre Gomes Boa noite. Desejo saber mais sob apresentação de projetos para utilização dos recursos daLei Rouanet. Sem mais, agradeço e aguardo. RESPOSTA, por Contate@Cultura Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 05 de junho de 2009 às 12 15cleverson Olá, gostaria de saber se meu projeto se encaixa na Lei Rouanet de incentivo a cultura?? meu projeto se trata da gravação de um CD com músicas inéditas. Empresas que entram como patrocinadoras conseguem se enquadrar na Lei Rouanet? Aguardo resposta. RESPOSTA, por Contate@Cultura Gravação de CD pode ser contemplado pela Lei Rouanet, mas confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 03 de maio de 2009 às 21 54vania maria franceschi vieira Qual a estatística de projetos aprovados por região no Brasil nos últimos 5 anos? RESPOSTA, por Contate@Cultura Nesta página é possível encontrar todos os dados que temos publicado. Boa pesquisa!! 28 de abril de 2009 às 14 46Luiz Fernando Rodrigues Solicito incluir nas estatísticas um comparativo da renúncia fiscal aprovada versus a utilizada no período de1999 - 2009. 03 de abril de 2009 às 20 38Fabiano Pessanha - Geração Futuro Prezados, Parabens pela iniciativa de disponibilizar dados relevantes de nosso mercado cultural. São de grande valia e interesse publico! Sugiro a disponibilização de demembramento dos dados por obra e produtora, no caso de Certificado Audiovisual. http //www.estadao.com.br/noticias/arteelazer,ministro-da-cultura-anuncia-criacao-de-fundo-para-a-musica,480754,0.htm 世界の市場の急激な勢いは、近年の特筆すべき特徴である。 ローカルで各国独特な文化、またその文化の創造性が、ダメージを受けるのではなく、保護し高めていくために、グローバリゼーションの影響をどう管理していくのかという問題が持ち上がった。 このことは、文化政策の主要な役割である。 カンクリーニは、ラテンアメリカにおける 音楽やドラマの伝統的フォームが、 世界の他の地域へ輸出するための新しい文化的商品を生産することにおいて、新しいメディア・テクノロジーを利用していることを紹介。 グルーバリゼーションにおいて、文化政策はどんなことに挑戦しているのか。 グローバル市場、文化変容の時代において、文化政策は、変化に抵抗するのではなく、変化をどう管理しているかにおいて、検討されなければならない。 ３つの変化 a グローバリゼーションの進展と、地域統合を通じての、国家の文化の再構成 b 伝統的でローカルな文化の生産形態と状況を超えた巨大マスコミによる支配 c 民主化と多文化共存のために、これらの変化によって生まれた新しい状況 数年前までは、文化政策は、国家や私設団体やコニュニティー組織が象徴的発展を方向づけるための手段であり、国家内の文化の必要を満たし、社会秩序や社会変化におけるコンセンサスを得るためのものだと考えられていた。 修士論文参考文献 http //www.revistadehistoria.com.br/v2/home/?go=detalhe id=2656 Cultura dá política As manifestações artísticas populares têm um histórico marcado pela inconstância dos governantes Adriano Belisário http //www.cult.ufba.br/arquivos/bibliografias_politicasculturais_brasil_01maio06.pdf http //www.revistadehistoria.com.br/v2/home/?go=detalhe id=2634 http //www.rikkyo.ac.jp/research/laboratory/ILAS/tosho_html/tosho_list/tosho_2008.html ↑立教から借りたいのがある http //www.google.co.jp/url?sa=t source=web ct=res cd=2 ved=0CAwQFjAB url=http%3A%2F%2Fwww.nuso.org%2Fupload%2Farticulos%2F3314_1.pdf ei=m_HbSuLFJIKTkAXr1-zIDg usg=AFQjCNHigMJnjOM3S7dOhfJeEa22LZ0nRw sig2=Kadv5jWbRhT75QYwgzHiyg Políticas Culturais no Brasil identidade e diversidade sem diferença http //www.cult.ufba.br/enecult2007/AlexandreBarbalho.pdf História, cultura e gestão do MEC ao MinC http //www.comcultura.com.br/ppt/Microsoft%20Word%20-%20Historia_cultura_Gestao.pdf LOS ESTUDIOS CULTURALES Y LA NUEVA DIVISIÓN INTERNACIONAL DEL ... http //www.google.co.jp/url?sa=t source=web ct=res cd=4 ved=0CBkQFjAD url=http%3A%2F%2Fbibliotecavirtual.clacso.org.ar%2Far%2Flibros%2Fcultura%2Fyudice.doc ei=FPbbSqSBEtKPkQXno_HEDg usg=AFQjCNF82rTlfV8pOVMuTJOYh5vkoriRlQ sig2=J9lsN0uKADvCmbGS9d9qqA http //artandcommitment.umn.edu/pdf/yudice_cv.pdf http //www.google.co.jp/search?as_q=Y%C3%9ADICE+George hl=ja num=10 btnG=Google+%E6%A4%9C%E7%B4%A2 as_epq= as_oq= as_eq= lr=lang_es cr= as_ft=i as_filetype= as_qdr=all as_occt=any as_dt=i as_sitesearch= as_rights= safe=images amazon.co.jpで買ったもの "Tropical Multiculturalism A Comparative History of Race in Brazilian Cinema and Culture (Latin America Otherwise) The Letter Of Violence Essays On Narrative, Ethics, and Politics The Expediency of Culture Uses of Culture in the Global Era (Post-Contemporary Interventions) Culture Incorporated Museums, Artists, and Corporate Sponsorships amazon.co.jpで買えるもの The Untimely Present Postdictatorial Latin American Fiction and the Task of Mourning (Post-Contemporary Interventions) Idelber Avelar amazon.comで買ったもの "The Film Industry in Brazil Culture and the State (Pitt Latin American Studies)" Randal Johnson "Cultural Politics in a Global Age Uncertainty, Solidarity and Innovation" David Held The Expediency of Culture Uses of Culture in the Global Era (Post-Contemporary Interventions) amazon.comで買えるもの 相互貸与で借りられるもの The Untimely Present Postdictatorial Latin American Fiction and the Task of Mourning (Post-Contemporary Interventions) Idelber Avelar 相互貸与で借りたもの Democracy in the making municipal reforms, civil society, and the Brazilian Workers Party / Goetz Ottmann. -- Nova Science Publishers, c2009 Seven faces Brazilian poetry since modernism / Charles A. Perrone. -- Duke University Press, 1996 Cultural policy / Toby Miller and George Yudice. -- SAGE, 2002 The untimely present postdictatorial Latin American fiction and the task of mourning / Idelber Avelar. -- Duke University Press, 1999 外大にあるもの Cultural Politics in Latin America. Ed. ANNY BROOKSBANK JONES and RONALDO MUNCK. London Macmillan; New York St Martin s Press. 2000 調布図書館にあるもの Dicionário Crítico de Política Cultural 3ª Edição - 2004 Coelho, Teixeira http //www.siciliano.com.br/produto/153441/dicionario-critico-de-politica-cultural-3-edicao-2004/?ID=BD190FB87DA020805371E0860 PAC_ID=26977 FIL_ID=102 Gramática Completa para Concursos e Vestibulares - Nova Ortografia e de Acordo com o Volp - 2ª Ed. Almeida, Nilson Teixeira de http //www.siciliano.com.br/produto/2648983/gramatica-completa-para-concursos-e-vestibulares-nova-ortografia-e-de-acordo-com-o-volp-2-ed/?ID=BD190FB87DA020805371E0860 PAC_ID=26977 FIL_ID=102 O que e Acao Cultural - Col.primeiros Passos Coelho, Teixeira http //www.siciliano.com.br/produto/319704/o-que-e-acao-cultural-colprimeiros-passos/?ID=BD190FB87DA020805371E0860 PAC_ID=26977 FIL_ID=102 Manoel Marcondes Machado Neto http //buscatextual.cnpq.br/buscatextual/visualizacv.jsp?id=K4706836H8 Marketing Cultural E Financiamento Da Cultura http //www.livrariacultura.com.br/scripts/cultura/resenha/resenha.asp?nitem=3102335 sid=5292162261228591579679939 k5=2065CF20 uid= Perfil De Empresas Patrocinadoras http //www.livrariacultura.com.br/scripts/cultura/resenha/resenha.asp?nitem=700836 sid=5292162261228591579679939 k5=2065CF20 uid= http //www.livrariacultura.com.br/scripts/cultura/busca/busca.asp?parceiro=OJXIAR nautor=3025634 refino=1 sid=5292162261228591579679939 k5=2065CF20 uid= http //www.cpdcom.inf.br/ http //www.marketing-e-cultura.com.br/website/index.html http //www.marketing-e-cultura.com.br/website/teoria/teo001-b.php?cod_artigo=16 Leia Revista Filantropia Tudo sobre projetos sociais, ONGs e Responsabilidade Social www.revistafilantropia.com.br Leis de Incentivo Fiscal Saiba como investir seus impostos Patrocinando cultura e esportes! www.patrociniocerto.com.br Coordenador De Projetos Mais de 180.000 Vagas Cadastradas. Encontre Coordenador De Projetos www.Catho.com.br/Informatica 1930年代ごろまでカイピーラ音楽とサンバの間にはある程度の交流があったが、カイピーラには郷土性が刻印され、サンバには国民性が刻印された。これは知識人、そして政府がアフロブラジル文化を国民文化に選出した結果である。都会の知識階層（基本的に白人集団）は既にヨーロッパや北米の生活スタイルに同化していて、ブラジルらしさを求めた時に、国内の他者に担わせるしかなかった。カーニバルを最大の大衆的で国民的な大行事とするサンバは、ジルベルト・フレイレほか当時の知識人がヨーロッパから文化的独立をはかる時の切り札となった。エルマノ・ヴィアナの『サンバの神秘』が適確に論じているように、リオ政府も黒人ないし黒人と白人の混血層（ムラート）を真正なるブラジル国民（povo brasileiro）と讃えることで、彼ら貧困層の愛国心を高めようとした。リオの風物を讃えたサンバは極めて多いが、それがブラジルを讃えることになる解釈の仕掛けが生まれた。 さて解きがたいパラドックスが起こる。ある文化が異文化と交渉をもつことが少ないほど、２つの文化は互いに壊されることも少なくなる。しかし他方、このような状態では、２つの文化がそれぞれ送りこむ使者たちは、異文化の多様性のゆたかさと意義を把握する可能性も少なくなる。そこで逃れられない二者択一が起こる。私は古代の旅人として驚異的な光景──しかしそのほとんど全部が私たちには理解できず、実際嘲りや嫌悪さえ覚えそうな光景──に面と向かうか、そうでなければ現代の旅人として、消滅してしまった現実を探し求めて走りまわるか、である。どちらの道をとるにせよ、私は敗北者になる……なぜなら今日、さまざまな幻影のなかを私が呻吟しながら行くとき、現に起こりつつある光景のほうを、否応なしに見落としてしまうことになるのだから。 ────『悲しき熱帯より』
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【登録タグ 556t R 回路-kairo- 妖怪裏参道 曲 東方幻奏響UROBOROS肆 ～dEATHtINYoVERdRIVE～】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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